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The music road: coherence and diversity in music from the Mediterranean to India
Abstract
The Music Road contains contributions on musical cultures from the Mediterranean to India which brings together historical research, philology and ethnographic fieldwork to revive the differentiated voices of this world region.
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It is here referred to as "the Music Road>", to emphasize the musical traditions in this western half of the "Silk Road", and the transitional nature of its cultural migrations and coherences.Mobility in space, transmission in time and "the East-West imagination" are demonstrated in the following historical cultures: Ancient Gandhar? (N.W. India, first centuries CE) and the tradition of Alexander's conquest; sections on "Intercultural Islam" from medieval Persia to modern Turkey; "Indian encounters" with the West - and vice versa - in music and dance (18th-20th centuries); Greek music and theatre as a bridge between East and West; and Gypsy musical styles in European nationalist music.
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| Testo a stampa (moderno) | ||
| Monografia | ||
| Descrizione | The *music road: coherence and diversity in music from the Mediterranean to India / edited by Reinhard Strohm Oxford : Oxford University Press, 2019 XVI, 408 p., [2] carte di tav. : ill. ; 24 cm. |
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| Nota di contenuto | 1: The Music Road: an expedition across time and space, Reinhard Strohm 2: The Middle East in music history: An ethnomusicological perspective, Martin Stokes Alexandrian Tracks 3: Sonic entanglements, visual records and the Gandharan nexus, Gabriela Currie 4: Persian 'snap': Iranian dancers in Gandhra, Ciro Lo Muzio 5: Listening between the lines: Alexander's musical legacy in Italy (13th-15th centuries), Donatella Restani Intercultural Islam 6: Mysticism's musical modalities: Philosophies of audition in medieval Persian Sufism, Andrew Hicks 7: Samac intertwined in practice: Eight treatises from the ninth to fifteenth centuries, Lisa Nielson 8: Writing the history of unwritten music: On the treatise of Darwesh 'Ali Changi (17th c.), Slawomira Zeranska-Kominek 9: Bridging the Safavid-Ottoman divide, Owen Wright 10: Musical instruments and world history: A case study of the guitar in the Republic of Turkey, Kevin Dawe Indian Encounters 11: 11 The 'Nautch', the Veil, and the Bayadère: The Indian dance as musical nexus, Margaret Walker 12: Maud MacCarthy: 'The musicking body', Nalini Ghuman Hellas between West and East 13: The music of the modern Greeks in Western and Eastern music literature, from the ninth to the 19th century, Katy Romanou 14: A typology of Western music and theatre activity in South-East Europe, the Eastern Mediterranean and the Black Sea region in premodern times (16th-19th century), Walter Puchner 15: Orientalism in the art music of the Ionian islands, Kostas Kardamis 16: European itinerant opera and operetta companies touring in the Near and Middle East, Avra Xepapadakou A Gypsy Epilogue 17: From 'rhapsodic gypsy' to 'gypsy rhapsody', Anna G. Piotrowska |
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| ISBN | 9780197266564 | |
| Autore secondario |
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| Editori | British academy | |
| Luogo pubblicazione | Oxford | |
| Anno pubblicazione | 2019 | |
| Collana | Proceedings of the British Academy , 223 | |
| Soggetti | Musica - Oriente [e] Occidente | |
| Musica - Paesi mediterranei | ||
| Musica [sulla] Via della seta | ||
| Musica occidentale - Rapporti [con la] Musica orientale | ||
| Codice SBN | UBO4410044 |